A Compendium of the Ancient Gods
Simargl, plate

Simargl was one of the gods named in Vladimir's pantheon at Kiev in 980, and one of the strangest. His name appears to be a borrowing from the Iranian Saēna mərəga (Avestan), which became in Persian the Sēnmurv or Simurgh — a great winged dog-bird, a creature of cosmic significance, who in some Persian traditions sits upon the cosmic tree and shakes its seeds down upon the earth as the source of all plants. The Slavic Simargl preserves the name and probably the form of the original Iranian figure, brought across the steppe by the Sarmatians or other Iranian-speaking peoples and absorbed into the East Slavic pantheon.

What Simargl did in Slavic religion is unclear. He may have been the bringer of crops (taking over the tree-shaking function of the Iranian original), or a guardian of seedlings, or a winged messenger of some kind. The name is sometimes split in the Russian sources into two — Sim and Rgl — as if two gods were meant; this may be a scribal error or may reflect a doubling that had taken place in transmission.

After the conversion, Simargl disappeared without trace from East Slavic religion. Unlike Khors, no folk-saying preserved his name; unlike Mokosh, no Christian saint took over his function. He stands in the historical record as the most clearly foreign of the gods of Vladimir's pantheon, a figure whose Iranian background was probably already obscure to the Kievans of 980 and who failed to make any deep impression on the Slavic religious imagination.

Curator’s note

What the sources say, and what later tradition added. The sources for this bay

Simargl is named in the Primary Chronicle. The Iranian etymology and the connection to the Sēnmurv / Simurgh have been generally accepted since A. M. Loma's work in the 1970s; Roman Jakobson treated the figure earlier. The Persian Simurgh is well-known from the Shahnameh and from medieval Persian art (the great winged dog-bird depicted in many manuscripts). The transmission across the steppe is consistent with the wider pattern of Iranian religious influence on early East Slavic culture, particularly through the period of Khazar dominance.

When the sources speak

Dated witnesses for The Slavic Gods and Spirits. A date marks when the evidence was written down, not when the belief began. The whole timeline

2nd–1st millennia BCE
Indo-European language dispersals and regional Bronze Age cultures provide a remote comparative background, not a recoverable common canon.
c. 500 BCE–1 CE
Iron Age material culture, names, sanctuaries, and classical ethnography offer early but external evidence for Celtic and Germanic religions.
1st–4th centuries CE
Roman inscriptions and provincial cults preserve many Celtic, Germanic, and local divine names.
4th–8th centuries CE
Migration-period and early medieval conversion transform ritual institutions while heroic traditions continue.
8th–11th centuries CE
Viking Age poetry, runic evidence, archaeology, and Scandinavian conversion form the core context of Norse myth.
9th–12th centuries CE
Slavic, Baltic, and Finnic traditions enter chronicles and missionary accounts, often through hostile observers.
11th–14th centuries CE
Irish, Welsh, and Icelandic manuscripts preserve major narrative corpora in Christian literary environments.
12th–16th centuries CE
Saxo, saga compilers, Baltic chroniclers, and later antiquarians systematize or reinterpret older material.

Floor plan

The rooms follow one another in the order their peoples first appear in the written record.

  1. The Cradle of Citiesc. 3400 BCE to 395 CE. 115 works
  2. The Gift of the Nilec. 4000 BCE to 395 CE. 73 works
  3. The Olympian Orderc. 1600 BCE to 750 CE. 152 works
  4. The Persian Worldc. 2000 BCE to 1010 CE. 30 works
  5. The Levantine Borderlandsc. 1200 BCE to 500 CE. 20 works
  6. The Edges of Empirec. 2000 BCE to 1500 CE. 33 works
  7. The Etruscan Worldc. 900 BCE to 750 CE. 22 works
  8. The Roman Inheritancec. 1200 BCE to 500 CE. 58 works
  9. The Northern Inheritancec. 2000 BCE to 1600 CE. 131 works