A Compendium of the Ancient Gods
Aion, plate

Aion was Eternity — the unbounded age, the totality of duration, distinguished in Greek philosophical thought from Chronos (which was time considered as it passes, the time of clocks and seasons). Aion was the time of the gods and of eternity; Chronos was the time of mortals and of becoming. The distinction was sharpened in Plato (Timaeus 37c–d, where time is described as "a moving image of eternity") and was foundational for later Greek philosophical theology. As a personified cosmic power, Aion was venerated in several mystery cults, particularly those of Mithras and of Hellenistic Alexandria, where his image — a serpent-bound figure with lion's head, the four seasons or ages depicted upon him — became a standard icon. The Aion of the Mithraic mysteries was depicted in temple-statuary as a winged man entwined by a serpent, a key in his hand.

Curator’s note

What the sources say, and what later tradition added. The sources for this bay

The distinction between Aion (eternity, unbounded age) and Chronos (passing time) is principally Platonic; Plato, Timaeus 37c–38c, is the foundational text. The cult of Aion is attested in Hellenistic Alexandria, where his festival on the night of January 5/6 may stand behind certain features of the later Christian Epiphany; the Mithraic Aion-statues are attested archaeologically (the so-called "Lion-headed god" or Leontocephalus) and have been the subject of extensive scholarship since Cumont's day. The figure shaded into the late Roman cult of Eternity (Aeternitas) and was assimilated by the Imperial cult to the eternity of the Roman state.

Kin in the sources

Each tie is quoted from the entry that states it.

When the sources speak

Dated witnesses for The Primordial Powers. A date marks when the evidence was written down, not when the belief began. The whole timeline

c. 1600–1100 BCE
Mycenaean palace tablets in Linear B record offerings and divine names, but little continuous myth.
c. 1100–800 BCE
Post-palatial oral traditions and changing cult landscapes precede the surviving alphabetic epics.
late 8th–7th centuries BCE
The Iliad, Odyssey, Hesiodic Theogony and Works and Days give influential but non-exclusive divine orders.
7th–6th centuries BCE
Homeric Hymns, lyric poetry, colonization, and local sanctuary traditions multiply regional narratives.
6th–5th centuries BCE
Orphic, Pythagorean, and mystery materials develop alternative cosmogonies and afterlife doctrines.
5th century BCE
Athenian tragedy and comedy recast heroic houses and divine justice for civic audiences.
4th century BCE
Philosophers, antiquarians, and local historians interpret or criticize inherited myth.
323–31 BCE
Hellenistic poets and scholars systematize variants across an enlarged Greek world.

Floor plan

The rooms follow one another in the order their peoples first appear in the written record.

  1. The Cradle of Citiesc. 3400 BCE to 395 CE. 115 works
  2. The Gift of the Nilec. 4000 BCE to 395 CE. 73 works
  3. The Olympian Orderc. 1600 BCE to 750 CE. 152 works
  4. The Persian Worldc. 2000 BCE to 1010 CE. 30 works
  5. The Levantine Borderlandsc. 1200 BCE to 500 CE. 20 works
  6. The Edges of Empirec. 2000 BCE to 1500 CE. 33 works
  7. The Etruscan Worldc. 900 BCE to 750 CE. 22 works
  8. The Roman Inheritancec. 1200 BCE to 500 CE. 58 works
  9. The Northern Inheritancec. 2000 BCE to 1600 CE. 131 works