Fortuna was the Roman goddess of chance — the unpredictable element in human affairs, the gift or the affliction that came without warning, the breeze that carried one ship to harbor and dashed another upon the rocks. She was depicted with a wheel (the wheel of fortune that turns and lifts and casts down), with a cornucopia (the gifts she bestowed), with a rudder (her steering of human destinies), and standing upon a globe (her sovereignty over the earth). She was perhaps the most widely worshipped of all Roman deities; her shrines stood in every city of the Empire, and her festivals were many.
Her oldest cult-place in Italy was at Praeneste (modern Palestrina), where the great sanctuary of Fortuna Primigenia rose in terraces up the side of a hill — the largest sanctuary in Italy outside Rome, and the model for the Roman Pantheon and many later buildings. There the goddess gave oracular response by means of the sortes Praenestinae, lots inscribed with answers, drawn at random from a casket; the practice was old and was used by Roman magistrates for state inquiries.
In Rome herself, Fortuna had at least nine separate cult-places, each addressing a different aspect of her power: Fortuna Virilis (women's fortune), Fortuna Muliebris (matronly fortune), Fortuna Equestris (the equestrian order's fortune), Fortuna Publica (public fortune), Fortuna Huiusce Diei (the fortune of this particular day), Fortuna Redux (the fortune that brings travelers home), Fortuna Stata (the standing fortune), Fortuna Primigenia, and Fortuna of Servius Tullius. The proliferation of titles reflects the Roman instinct for specialist gods; each kind of fortune required its own shrine and its own approach.
By the imperial period, Fortuna was assimilated to the Greek Tyche and was treated by philosophical writers as the divine name for chance — sometimes seen as a power, sometimes as a personification of a non-divine reality. Pliny the Elder gives the bitter sociological view: "Throughout the whole world, at every place and hour, by every voice, Fortuna alone is invoked and named, alone accused, alone implicated, alone praised, alone censured, and revered with reproaches; she is volatile, fickle, faithless, deceitful... in such accounting we have placed all our affairs."



