A Compendium of the Ancient Gods
The Sirens, plate

Off the coast of southern Italy, between the great rock of Scylla and the still waters of Charybdis, there lay an island upon which dwelt the Sirens — daughters, some said, of the river-god Achelous, and of the Muse Terpsichore (or, in other accounts, of Melpomene or Calliope). They were three in number, or four, the ancients did not agree: Parthenope and Ligeia and Leucosia were three of them, and a fourth was sometimes called Aglaopheme. They were depicted in early times with the bodies of birds and the heads of women, and only in later art did they take the form of mermaids, with which we are now more familiar.

Their gift, which was their curse, was the singing of a song so sweet that no man who heard it could resist the desire to come ashore upon their island; and there, surrounded by the heaped bones of those who had come before, the listener perished. The Sirens did not seize their prey — they simply sang, and the listener forgot all things, and would not eat, and would not sail on, but lay upon the shore and listened until he died.

Twice in the heroic legend the song was overcome. Orpheus, sailing with the Argonauts past the island, took up his lyre and sang against them with a song so much greater than theirs that the Argonauts heard it instead, and the ship passed safely. And Odysseus, instructed by Circe, ordered his men to stop their ears with wax and to bind him to the mast, that he alone might hear the song without being lost; and so he heard, and lived, and was the only mortal to do so. It was foretold that the Sirens would die when one passed their island unmoved by their song; and after Odysseus passed they cast themselves into the sea, and one of them — Parthenope — was washed ashore at the place that bears her name, which the Romans afterward called Naples.

Curator’s note

What the sources say, and what later tradition added. The sources for this bay

The Sirens are first mentioned in Odyssey 12 (lines 39-54 in Circe's instructions, lines 165-200 in the actual passage); Homer gives no number and no parentage. The genealogy as daughters of Achelous and a Muse comes from Pseudo-Apollodorus (Bibliotheca 1.3.4), Hyginus (Fabulae 14, 141), and Ovid (Metamorphoses 5.552-563). The Argonautic encounter with Orpheus singing them down is told in Apollonius of Rhodes (Argonautica 4.891-919). The Sirens' suicide after Odysseus's passage is preserved in Hyginus (Fabulae 141) and in late mythographers. The transformation of their iconography from bird-bodied women in the archaic period to fish-tailed mermaids in late antiquity and the medieval period is well-traced; the bird-form is the original. The tomb of Parthenope at Naples was a real cult-site through the Roman period.

Kin in the sources

Each tie is quoted from the entry that states it.

When the sources speak

Dated witnesses for The Margins and the Monsters. A date marks when the evidence was written down, not when the belief began. The whole timeline

c. 1600–1100 BCE
Mycenaean palace tablets in Linear B record offerings and divine names, but little continuous myth.
c. 1100–800 BCE
Post-palatial oral traditions and changing cult landscapes precede the surviving alphabetic epics.
late 8th–7th centuries BCE
The Iliad, Odyssey, Hesiodic Theogony and Works and Days give influential but non-exclusive divine orders.
7th–6th centuries BCE
Homeric Hymns, lyric poetry, colonization, and local sanctuary traditions multiply regional narratives.
6th–5th centuries BCE
Orphic, Pythagorean, and mystery materials develop alternative cosmogonies and afterlife doctrines.
5th century BCE
Athenian tragedy and comedy recast heroic houses and divine justice for civic audiences.
4th century BCE
Philosophers, antiquarians, and local historians interpret or criticize inherited myth.
323–31 BCE
Hellenistic poets and scholars systematize variants across an enlarged Greek world.

Floor plan

The rooms follow one another in the order their peoples first appear in the written record.

  1. The Cradle of Citiesc. 3400 BCE to 395 CE. 115 works
  2. The Gift of the Nilec. 4000 BCE to 395 CE. 73 works
  3. The Olympian Orderc. 1600 BCE to 750 CE. 152 works
  4. The Persian Worldc. 2000 BCE to 1010 CE. 30 works
  5. The Levantine Borderlandsc. 1200 BCE to 500 CE. 20 works
  6. The Edges of Empirec. 2000 BCE to 1500 CE. 33 works
  7. The Etruscan Worldc. 900 BCE to 750 CE. 22 works
  8. The Roman Inheritancec. 1200 BCE to 500 CE. 58 works
  9. The Northern Inheritancec. 2000 BCE to 1600 CE. 131 works