A Compendium of the Ancient Gods
Yima, plate

Yima, son of Vivanghvant, was the first king of the world. In the Iranian heroic tradition he was an extraordinary figure: the first ruler, the first sacrificer, the first to receive the Khvarenah in fullness, the first to bring civilization to humankind. Under his reign, the world was a paradise. Death did not exist; cold did not afflict men; the cattle and the flocks did not sicken; men did not grow old; the earth was filled to overflowing with the abundance of food and the abundance of children. Yima reigned for many centuries, and at three different times he had to enlarge the earth itself — by passing his golden ring and his golden whip over it, and the earth grew by a third each time — to accommodate the increasing population.

But the time came when Ahura Mazda warned Yima of a coming catastrophe: a winter of extraordinary severity (the malkosh, often interpreted as a Younger Dryas-like glacial event) was to fall upon the world, and most of life would perish. Yima was instructed to build a vara — a great enclosure underground, a refuge in which the seeds of every plant, the eggs of every bird, the offspring of every animal, and the choicest of men and women were to be preserved. So Yima built the vara according to Ahura Mazda's specifications: of nine streets, with windows that gave their own light, with the perfect creatures of the world preserved in pairs. There they waited out the great winter, and after it the world was repopulated from Yima's vara.

But Yima fell. He had been given the rule of the world by Ahura Mazda, but in his pride he came to believe himself the equal of the divine. He told a lie — "the lie that wastes the cattle," the worst form of falsehood — and the Khvarenah departed from him in three flashes, each caught by a different yazata. Without the Khvarenah, Yima was no longer king. He was deposed, and afterward (in the version preserved in the Shahnameh) was killed by Aži Dahāka the dragon, who sawed him in two with a fish-saw. So the first king fell, and the world entered the age of mixed good and evil that we still inhabit.

Yima passed into the Persian heroic tradition as Jamshid, hero of the Shahnameh, the great Persian national epic of Ferdowsi (composed c. 977-1010 of our era). In Ferdowsi's telling, Jamshid was the second king of the Pishdadian dynasty, the inventor of weapons, of weaving, of medicine, of architecture, of the dividing of society into four estates; he ruled in glory for seven hundred years before his fall, and his fall was caused by his proud demand that men worship him as a god. The Shahnameh's Jamshid is recognizably Yima of the Avesta, but elaborated in literary detail and preserved through the Islamic centuries as a symbol of the dangers of royal hubris.

Curator’s note

What the sources say, and what later tradition added. The sources for this bay

Yima appears in the Avesta in Yasna 9.4-5 (the Hom Yasht, where his father's invocation of Haoma produced him), in Yasht 19 (the Zamyad Yasht, the great Khvarenah catalog, which describes the threefold loss of the Khvarenah), in Vendidad chapter 2 (the longest single narrative about Yima, including the vara-building), and in numerous other Avestan and Pahlavi passages. The Bundahishn gives systematic treatments. Ferdowsi's Shahnameh is the classic literary form; the standard English translation is Dick Davis's (2006). The Vedic counterpart Yama is the god of the dead and the first man (the same name, the same etymology), but the Iranian and Indian developments diverge: Yima becomes the first king who falls, Yama becomes the lord of the underworld. The shared origin testifies to a proto-Indo-Iranian Yima/Yama figure of considerable antiquity. The vara-narrative has obvious parallels with the Mesopotamian flood-account (Atrahasis, Utnapishtim) and with the biblical Noah; the relationship between these traditions is one of the enduring puzzles of comparative mythology.

Kin in the sources

Each tie is quoted from the entry that states it.

When the sources speak

Dated witnesses for Heroes, Adversaries and the Final Renewal. A date marks when the evidence was written down, not when the belief began. The whole timeline

late 2nd–early 1st millennium BCE, debated
The Old Avestan Gathas and Yasna Haptanghaiti emerge in an eastern Iranian ritual-poetic setting; Zarathustra’s date remains disputed.
1st millennium BCE
Younger Avestan hymns, ritual texts, and legal-purity materials develop over a long period of oral transmission.
c. 550–330 BCE
Achaemenid inscriptions invoke Ahuramazda in imperial royal ideology; their relationship to later Zoroastrian orthodoxy requires care.
330 BCE–224 CE
Hellenistic and Parthian eras preserve Iranian cults through sparse and regionally varied evidence.
224–651 CE
Sasanian institutions sponsor priestly learning and the redactional organization associated with the Avesta and Zand.
7th–10th centuries CE
After the Islamic conquest, Middle Persian books record cosmology, law, exegesis, and summaries of lost material.
c. 9th century CE
The Bundahišn, Dēnkard, Wizīdagīhā ī Zādspram, and related works preserve systematic late antique and early Islamic syntheses.
c. 977–1010 CE
Ferdowsi composes the Shāhnāmeh from epic and royal traditions with both pre-Islamic and Islamic-period mediation.

Floor plan

The rooms follow one another in the order their peoples first appear in the written record.

  1. The Cradle of Citiesc. 3400 BCE to 395 CE. 115 works
  2. The Gift of the Nilec. 4000 BCE to 395 CE. 73 works
  3. The Olympian Orderc. 1600 BCE to 750 CE. 152 works
  4. The Persian Worldc. 2000 BCE to 1010 CE. 30 works
  5. The Levantine Borderlandsc. 1200 BCE to 500 CE. 20 works
  6. The Edges of Empirec. 2000 BCE to 1500 CE. 33 works
  7. The Etruscan Worldc. 900 BCE to 750 CE. 22 works
  8. The Roman Inheritancec. 1200 BCE to 500 CE. 58 works
  9. The Northern Inheritancec. 2000 BCE to 1600 CE. 131 works