A Compendium of the Ancient Gods
Eileithyia, plate

Eileithyia was the goddess who attended at childbirth, easing or delaying labor at her pleasure or her mother's command. She was a daughter of Zeus and Hera (or, in some accounts, Hera bore her in parthenogenesis); she was generally helpful to women in labor, but she could be detained or ordered to delay her arrival, as Hera detained her on Olympus when Leto was in labor on Delos for the birth of Apollo. The sound of her footsteps was the signal that the child was coming; her absence meant prolonged and dangerous labor. The Greek imagination of childbirth as governed by a particular goddess who came when she chose and could be persuaded or thwarted reflected the actual experience of premodern obstetrics, in which the difference between an easy and a fatal delivery was unpredictable and seemed to depend on forces outside human control.

Curator’s note

What the sources say, and what later tradition added. The sources for this bay

Homer, Iliad 11.270, 16.187; the Homeric Hymn to Apollo 97–119 (the detention by Hera). Eileithyia had cult at numerous sites, most notably at the cave of Eileithyia on Crete near Amnisos, which has been continuously identified from the Bronze Age through classical times — one of the longest-attested cult-sites in the Greek world. Her Roman counterpart was Lucina, an epithet of Juno.

Kin in the sources

Each tie is quoted from the entry that states it.

When the sources speak

Dated witnesses for The Sea, the Wild and the Wind. A date marks when the evidence was written down, not when the belief began. The whole timeline

c. 1600–1100 BCE
Mycenaean palace tablets in Linear B record offerings and divine names, but little continuous myth.
c. 1100–800 BCE
Post-palatial oral traditions and changing cult landscapes precede the surviving alphabetic epics.
late 8th–7th centuries BCE
The Iliad, Odyssey, Hesiodic Theogony and Works and Days give influential but non-exclusive divine orders.
7th–6th centuries BCE
Homeric Hymns, lyric poetry, colonization, and local sanctuary traditions multiply regional narratives.
6th–5th centuries BCE
Orphic, Pythagorean, and mystery materials develop alternative cosmogonies and afterlife doctrines.
5th century BCE
Athenian tragedy and comedy recast heroic houses and divine justice for civic audiences.
4th century BCE
Philosophers, antiquarians, and local historians interpret or criticize inherited myth.
323–31 BCE
Hellenistic poets and scholars systematize variants across an enlarged Greek world.

Floor plan

The rooms follow one another in the order their peoples first appear in the written record.

  1. The Cradle of Citiesc. 3400 BCE to 395 CE. 115 works
  2. The Gift of the Nilec. 4000 BCE to 395 CE. 73 works
  3. The Olympian Orderc. 1600 BCE to 750 CE. 152 works
  4. The Persian Worldc. 2000 BCE to 1010 CE. 30 works
  5. The Levantine Borderlandsc. 1200 BCE to 500 CE. 20 works
  6. The Edges of Empirec. 2000 BCE to 1500 CE. 33 works
  7. The Etruscan Worldc. 900 BCE to 750 CE. 22 works
  8. The Roman Inheritancec. 1200 BCE to 500 CE. 58 works
  9. The Northern Inheritancec. 2000 BCE to 1600 CE. 131 works