A Compendium of the Ancient Gods
Hu, plate

When the gods would create or destroy, when a king would issue a decree that the very earth must obey, what passed from the lips and took effect in the world was Hu. He was the personification of authoritative speech: not ordinary words, but the kind of utterance whose pronouncement makes a thing be. The Egyptians believed deeply in the creative power of the spoken name; to name a thing was to summon it, to speak its destiny was to fix it. Hu was this power made into a god.

In the Pyramid Texts, the dead king is said to seize Hu and to wield him alongside Sia, the divine perception, so that the king commands as the gods command. In later cosmogonies, especially that of Memphis, Hu is the instrument by which Ptah brings the world into being: Ptah conceives all things in his heart, and what his tongue articulates as Hu, that comes into being. Hu therefore stands close to the throne of Ra in the solar bark, and travels with the sun across the sky, that the god's word may reach into every quarter of creation.

Curator’s note

What the sources say, and what later tradition added. The sources for this bay

Hu (Egyptian Ḥw) appears already in the Pyramid Texts (notably Spells 251, 254, 309) as one of the powers seized by the ascended king and recurs throughout the Coffin Texts and the Book of the Dead. The Memphite Theology preserved on the Shabaka Stone (now in the British Museum) makes the most theologically developed use of the figure, presenting Hu as the spoken-word component of Ptah's creative act, whose paired faculty is Sia (the conceiving thought of the heart). The Egyptians did not separate language from action so strictly as we do; the king's word, the priest's invocation, and the god's name carried a real and effective power, and the deification of authoritative speech as Hu is a natural consequence of that worldview. The figure has no developed mythology in the ordinary sense; he is rather the god of a category, like Maat or Heka.

Kin in the sources

Each tie is quoted from the entry that states it.

When the sources speak

Dated witnesses for The Cosmogonies. A date marks when the evidence was written down, not when the belief began. The whole timeline

c. 4000–3100 BCE
Predynastic regional symbols, burials, standards, and animal cults provide the deep background to later divine iconography.
c. 3100–2686 BCE
Early Dynastic kingship joins royal ideology to local cult centers and establishes many durable divine emblems.
c. 2686–2181 BCE
Old Kingdom pyramid complexes and the Pyramid Texts preserve the earliest large religious corpus.
c. 2181–1650 BCE
First Intermediate and Middle Kingdom traditions broaden mortuary access; Coffin Texts develop older royal materials.
c. 1550–1070 BCE
New Kingdom temple wealth, royal hymns, underworld books, and the Book of Going Forth by Day greatly expand the record.
c. 1353–1336 BCE
Akhenaten’s Aten program reorganizes royal cult but does not permanently erase the older divine plurality.
c. 1070–664 BCE
Third Intermediate Period priestly and regional powers reshape cult administration and divine kingship.
664–332 BCE
Late Period archaism, animal cults, and temple scholarship preserve and reinterpret older forms.

Floor plan

The rooms follow one another in the order their peoples first appear in the written record.

  1. The Cradle of Citiesc. 3400 BCE to 395 CE. 115 works
  2. The Gift of the Nilec. 4000 BCE to 395 CE. 73 works
  3. The Olympian Orderc. 1600 BCE to 750 CE. 152 works
  4. The Persian Worldc. 2000 BCE to 1010 CE. 30 works
  5. The Levantine Borderlandsc. 1200 BCE to 500 CE. 20 works
  6. The Edges of Empirec. 2000 BCE to 1500 CE. 33 works
  7. The Etruscan Worldc. 900 BCE to 750 CE. 22 works
  8. The Roman Inheritancec. 1200 BCE to 500 CE. 58 works
  9. The Northern Inheritancec. 2000 BCE to 1600 CE. 131 works