A Compendium of the Ancient Gods
Ra, plate

Ra was the sun, and the sun was Ra. He was the brilliant disk that crossed the sky each day, the king of heaven, the visible witness to all things done under his light. His city was Heliopolis — "City of the Sun," in the Greek translation — where his great temple stood, and where the priesthood whose theology produced the Heliopolitan Ennead and the Pyramid Texts had its center. He was depicted in many forms: as a falcon-headed man crowned with the solar disk; as a great scarab pushing the sun before him across the sky (the scarab Khepri, his morning aspect); as a ram-headed god, in his nightly journey through the underworld; or simply as the disk itself, surrounded by the protective uraeus.

Each day Ra crossed the sky in his great solar barque, the Mandjet, accompanied by a crew of gods, with Maat the goddess of truth standing in the prow to set the course. Each evening at sunset he descended into the western horizon, transferred to the night-barque the Mesektet, and traveled through the twelve hours of the underworld, where the dead and the lesser gods adored him as he passed. At each hour his barque met new dangers — chiefly the great serpent Apep, who lay in wait in the deep places to attack the sun and overthrow creation — and at each hour the gods of his crew fought back the serpent with spells and weapons, that the sun might emerge again at dawn upon the eastern horizon, rejuvenated, born again as the morning Khepri. The doctrine that the daily rising of the sun was a victory perpetually re-won — a defeat of chaos that had to be earned every night, in the deep places, by force of will and incantation — pervades Egyptian solar theology and gives the daily rituals of the temple their fundamental seriousness.

There is a famous tale — the Destruction of Mankind — that tells of Ra in his old age. He had become an old god, his bones turning to silver, his flesh to gold, his hair to lapis lazuli, and the years had wearied him. Mankind, observing his weakness, plotted rebellion. Ra summoned his eye — that is, the goddess Hathor, his daughter — and sent her down to punish them. But Hathor in her descent became Sekhmet the lioness, and her bloodlust ran beyond the assignment: she slaughtered men until the fields were red with blood, and Ra, alarmed, sought to call her back. She would not be called back; her thirst was upon her. Then Ra brewed seven thousand jars of beer, and dyed it red with ochre, and poured it out across the fields where she would pass; and Sekhmet, taking the red beer for blood, drank deep, and slept; and so mankind was preserved.

Another tale tells how Ra, in his weariness, refused at length to share his secret name with any other god — for the name of a god is the seat of his power. The cunning Isis devised a stratagem: she gathered the spittle that fell from Ra's mouth (for he was old, and dribbled), mixed it with earth, and shaped it into a serpent, which she set in his path. The serpent bit him; and the venom was such that no god could heal him save by knowing his secret name. Ra resisted for a long time, naming himself Khepri in the morning, Ra at noon, Atum in the evening, and many other names besides; but the pain was too great, and at last he gave up his secret name to Isis, that she might cure him. From that hour, Isis held in her hand the deepest power of the gods.

Curator’s note

What the sources say, and what later tradition added. The sources for this bay

The Destruction of Mankind is preserved on the walls of several New Kingdom royal tombs (notably Seti I's), where it forms part of the Book of the Heavenly Cow; the theft-of-the-name myth is preserved in Papyrus Turin 1993 and parallel copies. Ra's daily journey through the twelve hours of the underworld is the subject of the Amduat, the Book of Gates, and the Book of the Earth — three great New Kingdom funerary compositions inscribed in the royal tombs of the Valley of the Kings, which the modern reader can still see, hour by hour, on the painted walls of Thutmose III, Amenhotep II, Seti I, and Ramesses VI. The fusion of Ra with Atum (Atum-Ra), with Khepri (Khepri-Ra), with Horus (Ra-Horakhty), and with Amun (Amun-Ra) reflects the willingness of Egyptian theology to combine without dissolving — to allow a god to be one and several, named and beyond naming, particular and universal, all at once.

Kin in the sources

Each tie is quoted from the entry that states it.

The same god in other rooms

The ancient sources themselves name these as one god under different names. See Atum, Ra, Horus, Khepri and Harpocrates hung together

When the sources speak

Dated witnesses for The Cosmogonies. A date marks when the evidence was written down, not when the belief began. The whole timeline

c. 4000–3100 BCE
Predynastic regional symbols, burials, standards, and animal cults provide the deep background to later divine iconography.
c. 3100–2686 BCE
Early Dynastic kingship joins royal ideology to local cult centers and establishes many durable divine emblems.
c. 2686–2181 BCE
Old Kingdom pyramid complexes and the Pyramid Texts preserve the earliest large religious corpus.
c. 2181–1650 BCE
First Intermediate and Middle Kingdom traditions broaden mortuary access; Coffin Texts develop older royal materials.
c. 1550–1070 BCE
New Kingdom temple wealth, royal hymns, underworld books, and the Book of Going Forth by Day greatly expand the record.
c. 1353–1336 BCE
Akhenaten’s Aten program reorganizes royal cult but does not permanently erase the older divine plurality.
c. 1070–664 BCE
Third Intermediate Period priestly and regional powers reshape cult administration and divine kingship.
664–332 BCE
Late Period archaism, animal cults, and temple scholarship preserve and reinterpret older forms.

Floor plan

The rooms follow one another in the order their peoples first appear in the written record.

  1. The Cradle of Citiesc. 3400 BCE to 395 CE. 115 works
  2. The Gift of the Nilec. 4000 BCE to 395 CE. 73 works
  3. The Olympian Orderc. 1600 BCE to 750 CE. 152 works
  4. The Persian Worldc. 2000 BCE to 1010 CE. 30 works
  5. The Levantine Borderlandsc. 1200 BCE to 500 CE. 20 works
  6. The Edges of Empirec. 2000 BCE to 1500 CE. 33 works
  7. The Etruscan Worldc. 900 BCE to 750 CE. 22 works
  8. The Roman Inheritancec. 1200 BCE to 500 CE. 58 works
  9. The Northern Inheritancec. 2000 BCE to 1600 CE. 131 works