A Compendium of the Ancient Gods
Isis, plate

Of all the gods of Egypt, none had a longer or wider career than Isis. She began as the sister-wife of Osiris in the Heliopolitan Ennead, a goddess of the Delta marshes, mistress of the throne of Egypt (her name in hieroglyphs is written with the throne-sign upon her head, and signified "throne" before she was a goddess at all). She rose through the long elaboration of the Osirian myth into the patron saint of every difficult task: of mourning the dead, of seeking the lost, of nursing the helpless, of healing the bitten, of magic both white and black. She was the wisest of the gods, having learned the secret name of Ra by stratagem (as told in his entry); she was the most enduring of the goddesses, surviving the fall of paganism more thoroughly than any other Egyptian deity, with her temple at Philae remaining open until 553 of our era and her cult attested in Roman London, in Pompeii, in Spain, and along the Rhine.

Her great labors are told in the entry of Osiris: she sought him through Egypt and Phoenicia, recovered his body from the pillar of Byblos, gathered up his scattered pieces from the length of the Nile, conceived Horus upon his recovered corpse in the form of a kite. Her labors as mother were no less arduous. She raised Horus in the marshes of Khemmis, hidden from Set, and there were tales of the child's many illnesses and her cunning treatments. Most famous is the tale of the scorpion: while she was out begging in the village (for she was disguised, and poor), Horus was stung by a scorpion sent by Set, and he lay dying when she returned. She cried out to the heavens, and her cry was such that the solar barque of Ra stopped its course; Thoth came down from the barque and gave her the spells by which the venom was reversed; Horus was saved. The spells of healing she received on that day became the basis of much of Egyptian medical magic, and the so-called "cippi of Horus" — small carved stelae depicting the child Horus standing upon crocodiles, surrounded by inscriptions of healing spells — were placed in households throughout Egypt as protection against scorpion-stings, snake-bites, and the bites of mad dogs.

In the late tradition, Isis became more than the wife of Osiris and the mother of Horus; she became the universal goddess, the One under many names. The famous aretalogy of Isis at Cyme in Asia Minor, recorded in a Greek inscription of the second century before the common era, has the goddess speak in her own voice: "I am Isis, the queen of every land. I gave laws to mankind that none can change. I am she who findeth fruit for men. I am she that is called god by women. I divided the earth from the heaven; I appointed the way of the stars. I am she that riseth in the dog-star." Beyond Egypt, the cult of Isis swept through the Hellenistic and Roman worlds, with great temples at Pompeii, Rome itself (the Iseum Campense), London (a small shrine), Mainz, and many other cities; and her devotees held that she was the same goddess whom others worshipped under the names of Demeter, Aphrodite, Hera, Cybele, Bellona — a syncretism that the great Roman novelist Apuleius records in The Golden Ass (Book XI), when his hero Lucius receives the vision of the goddess and is initiated into her mysteries.

Curator’s note

What the sources say, and what later tradition added. The sources for this bay

Isis is documented across more than three thousand years, from the Pyramid Texts to the closing of Philae in 553 CE. Her principal sources include the Pyramid and Coffin Texts (her laments over Osiris); the Great Hymn to Osiris (which contains a long description of her labors); the Bremner-Rhind Papyrus (Late Period, with two long Lamentations of Isis and Nephthys for liturgical use); the Metternich Stele (a great cippus of Horus, 4th c. BCE, in the Metropolitan Museum of Art, with the longest extant version of the scorpion story); Plutarch's De Iside et Osiride; the Cyme aretalogy and parallels at Maroneia and Andros; and the eleventh book of Apuleius's Metamorphoses (The Golden Ass). The Christian polemicist Tertullian (c. 200 CE) attests her cult at Carthage; her cult survived in some areas into the early sixth century. The role of Isis-imagery in influencing the iconography of the Christian Madonna and Child has been debated since the Renaissance; the comparison is real but should not be over-pressed.

Kin in the sources

Each tie is quoted from the entry that states it.

The same god in other rooms

The ancient sources themselves name these as one god under different names. See Isis and Sopdet hung together

When the sources speak

Dated witnesses for The Osirian Cycle. A date marks when the evidence was written down, not when the belief began. The whole timeline

c. 4000–3100 BCE
Predynastic regional symbols, burials, standards, and animal cults provide the deep background to later divine iconography.
c. 3100–2686 BCE
Early Dynastic kingship joins royal ideology to local cult centers and establishes many durable divine emblems.
c. 2686–2181 BCE
Old Kingdom pyramid complexes and the Pyramid Texts preserve the earliest large religious corpus.
c. 2181–1650 BCE
First Intermediate and Middle Kingdom traditions broaden mortuary access; Coffin Texts develop older royal materials.
c. 1550–1070 BCE
New Kingdom temple wealth, royal hymns, underworld books, and the Book of Going Forth by Day greatly expand the record.
c. 1353–1336 BCE
Akhenaten’s Aten program reorganizes royal cult but does not permanently erase the older divine plurality.
c. 1070–664 BCE
Third Intermediate Period priestly and regional powers reshape cult administration and divine kingship.
664–332 BCE
Late Period archaism, animal cults, and temple scholarship preserve and reinterpret older forms.

Floor plan

The rooms follow one another in the order their peoples first appear in the written record.

  1. The Cradle of Citiesc. 3400 BCE to 395 CE. 115 works
  2. The Gift of the Nilec. 4000 BCE to 395 CE. 73 works
  3. The Olympian Orderc. 1600 BCE to 750 CE. 152 works
  4. The Persian Worldc. 2000 BCE to 1010 CE. 30 works
  5. The Levantine Borderlandsc. 1200 BCE to 500 CE. 20 works
  6. The Edges of Empirec. 2000 BCE to 1500 CE. 33 works
  7. The Etruscan Worldc. 900 BCE to 750 CE. 22 works
  8. The Roman Inheritancec. 1200 BCE to 500 CE. 58 works
  9. The Northern Inheritancec. 2000 BCE to 1600 CE. 131 works