A Compendium of the Ancient Gods
Scylla, plate

Scylla was a sea-monster who lived in a cave overlooking a narrow strait, with the bay of Charybdis directly opposite. She had originally been (in the Ovidian elaboration) a beautiful nymph beloved of the sea-god Glaucus, transformed by the jealousy of Circe into the hideous form she thereafter retained: from the waist up a woman, but from the waist down six monstrous dog-headed serpents, each with a triple row of teeth. From her cave she snatched at sailors passing through the strait, taking six men at a time from any ship that came within her reach. Odysseus encountered her in the twelfth book of the Odyssey and lost six of his men to her, having no defense (since to slow the ship and resist her would have meant entering the whirlpool of Charybdis on the opposite side — and the Greek imagination of the strait, said by Homer to be the strait between Italy and Sicily, gave its sailors no good option). The phrase "between Scylla and Charybdis" passed into Greek and modern usage as the proverbial expression of being trapped between two evils with no clear escape.

Curator’s note

What the sources say, and what later tradition added. The sources for this bay

Homer, Odyssey 12.73–126, 222–259 (the principal source); Ovid, Metamorphoses 13.730–14.74 (the transformation narrative). The Strait of Messina (between Italy and Sicily) was the conventional ancient localization. The actual whirlpool there, formed by tidal currents, is real but not nearly as dangerous as Homer's portrait; the conditions of ancient seafaring, with small craft and limited control, would have made it more formidable than it is to modern shipping.

Kin in the sources

Each tie is quoted from the entry that states it.

When the sources speak

Dated witnesses for The Heroic Bestiary. A date marks when the evidence was written down, not when the belief began. The whole timeline

c. 1600–1100 BCE
Mycenaean palace tablets in Linear B record offerings and divine names, but little continuous myth.
c. 1100–800 BCE
Post-palatial oral traditions and changing cult landscapes precede the surviving alphabetic epics.
late 8th–7th centuries BCE
The Iliad, Odyssey, Hesiodic Theogony and Works and Days give influential but non-exclusive divine orders.
7th–6th centuries BCE
Homeric Hymns, lyric poetry, colonization, and local sanctuary traditions multiply regional narratives.
6th–5th centuries BCE
Orphic, Pythagorean, and mystery materials develop alternative cosmogonies and afterlife doctrines.
5th century BCE
Athenian tragedy and comedy recast heroic houses and divine justice for civic audiences.
4th century BCE
Philosophers, antiquarians, and local historians interpret or criticize inherited myth.
323–31 BCE
Hellenistic poets and scholars systematize variants across an enlarged Greek world.

Floor plan

The rooms follow one another in the order their peoples first appear in the written record.

  1. The Cradle of Citiesc. 3400 BCE to 395 CE. 115 works
  2. The Gift of the Nilec. 4000 BCE to 395 CE. 73 works
  3. The Olympian Orderc. 1600 BCE to 750 CE. 152 works
  4. The Persian Worldc. 2000 BCE to 1010 CE. 30 works
  5. The Levantine Borderlandsc. 1200 BCE to 500 CE. 20 works
  6. The Edges of Empirec. 2000 BCE to 1500 CE. 33 works
  7. The Etruscan Worldc. 900 BCE to 750 CE. 22 works
  8. The Roman Inheritancec. 1200 BCE to 500 CE. 58 works
  9. The Northern Inheritancec. 2000 BCE to 1600 CE. 131 works