A Compendium of the Ancient Gods
Eris, plate

Eris was Strife — the daimon of contention and discord, sister of Ares, daughter of Nyx (in Hesiod) or of Zeus and Hera (in Homer). She had a particular role in the chain of events that led to the Trojan War. When the gods were assembled at the wedding of Peleus and Thetis (the parents-to-be of Achilles), Eris alone was not invited — she being a divinity who could be relied upon to spoil any festivity. Resentful of the slight, she came uninvited and threw among the feasting goddesses a golden apple inscribed with the words "To the most beautiful." Hera, Athena, and Aphrodite all claimed the apple; Zeus, refusing to judge among his wife and daughters, deputed the Trojan prince Paris to make the choice. Each goddess offered him a bribe: Hera offered kingship over Asia, Athena offered wisdom and victory in war, Aphrodite offered the most beautiful woman in the world. Paris chose Aphrodite; the most beautiful woman was Helen, wife of Menelaus of Sparta; Aphrodite directed Paris to her; Helen went with him to Troy; and the Trojan War followed. The Judgment of Paris, set in motion by Eris's golden apple, was among the most consequential acts in Greek mythology, and the apple itself — the "apple of discord" — has passed into Western proverb.

Curator’s note

What the sources say, and what later tradition added. The sources for this bay

Hesiod, Theogony 225–232 and Works and Days 11–26 (where Hesiod distinguishes a good Eris of healthy competition from a bad Eris of destructive strife); the apple of discord is principally in Hyginus, Fabulae 92, and in scholiastic traditions on the Iliad; the Judgment of Paris is implicit throughout the Iliad and was treated in the lost Cypria (a poem of the Trojan Cycle, surviving in summary).

Kin in the sources

Each tie is quoted from the entry that states it.

When the sources speak

Dated witnesses for The Mysteries. A date marks when the evidence was written down, not when the belief began. The whole timeline

c. 1600–1100 BCE
Mycenaean palace tablets in Linear B record offerings and divine names, but little continuous myth.
c. 1100–800 BCE
Post-palatial oral traditions and changing cult landscapes precede the surviving alphabetic epics.
late 8th–7th centuries BCE
The Iliad, Odyssey, Hesiodic Theogony and Works and Days give influential but non-exclusive divine orders.
7th–6th centuries BCE
Homeric Hymns, lyric poetry, colonization, and local sanctuary traditions multiply regional narratives.
6th–5th centuries BCE
Orphic, Pythagorean, and mystery materials develop alternative cosmogonies and afterlife doctrines.
5th century BCE
Athenian tragedy and comedy recast heroic houses and divine justice for civic audiences.
4th century BCE
Philosophers, antiquarians, and local historians interpret or criticize inherited myth.
323–31 BCE
Hellenistic poets and scholars systematize variants across an enlarged Greek world.

Floor plan

The rooms follow one another in the order their peoples first appear in the written record.

  1. The Cradle of Citiesc. 3400 BCE to 395 CE. 115 works
  2. The Gift of the Nilec. 4000 BCE to 395 CE. 73 works
  3. The Olympian Orderc. 1600 BCE to 750 CE. 152 works
  4. The Persian Worldc. 2000 BCE to 1010 CE. 30 works
  5. The Levantine Borderlandsc. 1200 BCE to 500 CE. 20 works
  6. The Edges of Empirec. 2000 BCE to 1500 CE. 33 works
  7. The Etruscan Worldc. 900 BCE to 750 CE. 22 works
  8. The Roman Inheritancec. 1200 BCE to 500 CE. 58 works
  9. The Northern Inheritancec. 2000 BCE to 1600 CE. 131 works