A Compendium of the Ancient Gods
Perseus, plate

Perseus was the son of Zeus by Danaë, daughter of Acrisius king of Argos. The conception was as strange as those of most Greek heroes. An oracle had told Acrisius that his daughter's son would kill him; Acrisius therefore shut Danaë in a bronze chamber underground (or, in some versions, in a tower), to keep her from any contact with men. But Zeus visited her in the form of a golden shower, falling through the chamber's roof; she conceived; she bore Perseus. Acrisius, on discovering the boy, refused to believe in Zeus's paternity; unwilling to murder his daughter directly, he set Danaë and her infant in a wooden chest and cast them into the sea. The chest washed up on the island of Seriphos; Danaë and Perseus were taken in by the fisherman Dictys, brother of King Polydectes of the island.

When Perseus had grown to manhood, Polydectes (who desired Danaë and was hindered by her son's protection) contrived to send Perseus on what was meant to be a fatal errand: to bring back the head of Medusa. Perseus, advised by Hermes and Athena, made his way first to the Graeae (the three old gray sisters of the Gorgons, who shared a single eye and a single tooth among them), seized their eye while they were passing it, and refused to return it until they directed him to the nymphs of the north, who provided him with the cap of Hades (which made the wearer invisible), winged sandals, and a satchel for the head. He flew to the Gorgons' lair, found Medusa asleep among her two immortal sisters, watched her reflection in his polished shield to avoid her gaze, severed her head with the sickle of adamant given him by Hermes, put the head in the satchel, and fled (pursued ineffectually by the immortal Gorgons, whom his invisibility-cap protected him from).

On his return journey he passed Ethiopia and saw the princess Andromeda chained to a rock as sacrifice to a sea-monster (her mother Cassiopeia having boasted that she was more beautiful than the Nereids); Perseus killed the monster, freed Andromeda, married her, and brought her back to Seriphos. There he found his mother Danaë taking refuge in a temple from Polydectes's renewed advances; he went to Polydectes's hall, displayed Medusa's head, and turned the king and his retainers to stone. He installed Dictys as king of Seriphos, gave Medusa's head to Athena (who set it in her aegis), gave the other implements back to Hermes, and traveled with his mother and Andromeda back to Argos. There the original oracle was fulfilled: at funeral games in Larissa where Perseus competed in the discus, his throw struck and killed an old man in the crowd, who proved to be his grandfather Acrisius. Perseus, unwilling to inherit the kingdom of one he had killed, exchanged it for nearby Tiryns and there founded a new dynasty; he and Andromeda became the ancestors of the Perseid line, which included Heracles.

Curator’s note

What the sources say, and what later tradition added. The sources for this bay

The principal sources are Pherecydes (a fifth-century mythographer, whose account survives in fragments), Apollodorus 2.4.1–5, Pindar's Pythian 12, and Ovid's Metamorphoses 4.604–5.249. The canonical iconography (winged sandals, sickle, polished shield, satchel containing the head) is established already in Archaic vase-painting. Andromeda's location at "Ethiopia" reflects the Greek geographical imagination, in which Ethiopia could mean any distant land of dark-skinned peoples; the locus of Perseus's encounter has been variously identified by ancient and modern interpreters. The constellation Perseus, with neighboring Andromeda, Cassiopeia, Cepheus, and the sea-monster Cetus, preserves the cycle in the night sky.

Kin in the sources

Each tie is quoted from the entry that states it.

When the sources speak

Dated witnesses for The Heroic Cycle and the Tragic Houses. A date marks when the evidence was written down, not when the belief began. The whole timeline

c. 1600–1100 BCE
Mycenaean palace tablets in Linear B record offerings and divine names, but little continuous myth.
c. 1100–800 BCE
Post-palatial oral traditions and changing cult landscapes precede the surviving alphabetic epics.
late 8th–7th centuries BCE
The Iliad, Odyssey, Hesiodic Theogony and Works and Days give influential but non-exclusive divine orders.
7th–6th centuries BCE
Homeric Hymns, lyric poetry, colonization, and local sanctuary traditions multiply regional narratives.
6th–5th centuries BCE
Orphic, Pythagorean, and mystery materials develop alternative cosmogonies and afterlife doctrines.
5th century BCE
Athenian tragedy and comedy recast heroic houses and divine justice for civic audiences.
4th century BCE
Philosophers, antiquarians, and local historians interpret or criticize inherited myth.
323–31 BCE
Hellenistic poets and scholars systematize variants across an enlarged Greek world.

Floor plan

The rooms follow one another in the order their peoples first appear in the written record.

  1. The Cradle of Citiesc. 3400 BCE to 395 CE. 115 works
  2. The Gift of the Nilec. 4000 BCE to 395 CE. 73 works
  3. The Olympian Orderc. 1600 BCE to 750 CE. 152 works
  4. The Persian Worldc. 2000 BCE to 1010 CE. 30 works
  5. The Levantine Borderlandsc. 1200 BCE to 500 CE. 20 works
  6. The Edges of Empirec. 2000 BCE to 1500 CE. 33 works
  7. The Etruscan Worldc. 900 BCE to 750 CE. 22 works
  8. The Roman Inheritancec. 1200 BCE to 500 CE. 58 works
  9. The Northern Inheritancec. 2000 BCE to 1600 CE. 131 works