A Compendium of the Ancient Gods
Demeter, plate

Demeter was the goddess of grain, of agriculture, of the cultivated earth as opposed to the wild earth (which was Gaia's province). She was a daughter of Cronus and Rhea, sister of Zeus, and by her brother Zeus mother of Persephone, the maiden whose abduction by Hades and partial restoration to the upper world generated the central myth of Demeter's cult and of the Eleusinian Mysteries.

The narrative is given most fully in the Homeric Hymn to Demeter (probably late seventh or sixth century BCE), and runs as follows. Persephone was gathering flowers in a meadow when the earth opened and Hades, having been given Zeus's permission to take the maiden as his bride, rose up in his black chariot and carried her down to the underworld. Demeter, hearing her daughter's cry, searched for her for nine days and nights with torches in her hands, learning nothing; on the tenth, Hecate and Helios told her what had happened. In her grief and rage, she withdrew from Olympus and wandered the earth in disguise, an old woman; she came to Eleusis in Attica, was received by King Celeus and his wife Metanira, and undertook to nurse their son Demophon, whom (intending to make immortal) she placed each night in the fire to burn away his mortality. Discovered by Metanira and prevented from completing the rite, the goddess revealed herself, demanded that a temple be built for her at Eleusis, and there sat in mourning, refusing to make the grain grow until her daughter was returned.

The earth withered; the gods grew anxious as the offerings ceased; Zeus at last sent Hermes to fetch Persephone back. But Hades, before releasing her, contrived to give her a few pomegranate seeds to eat — and whoever has eaten in the underworld must remain there. A compromise was made: Persephone would spend a third of the year (or in some versions half) below with her husband, and the rest with her mother above. When she descended each autumn, Demeter mourned and the grain did not grow; when she rose each spring, Demeter rejoiced and the grain returned. So the Greek seasons were born; and so the Eleusinian Mysteries — the great mystery-cult of Demeter, celebrated at Eleusis west of Athens for some two thousand years from at least the seventh century BCE to its closing by the Christian emperor Theodosius about 392 of our era — preserved the rite of grief and reunion at the heart of agricultural existence.

What was actually shown and said in the inner mysteries is largely unknown; initiates were sworn to secrecy, and the secrecy held remarkably well. Various accounts hint that the climactic moment was the silent display of an ear of wheat; that Persephone was shown in some form returning to her mother; that the initiate was promised some kind of better afterlife than the unenlightened dead enjoyed. Cicero, who was an initiate, said the mysteries had taught him to live with greater hope and to die with better courage; the testimonies of others were similar. The mysteries' precise content remained one of antiquity's best-kept secrets.

Curator’s note

What the sources say, and what later tradition added. The sources for this bay

The Homeric Hymn to Demeter is the foundational text and probably dates from the late seventh or early sixth century BCE; it gives the fullest narrative. Other sources include Hesiod (Theogony 912–914), Apollodorus (1.5.1–3), Ovid (Metamorphoses 5.341–571), and the testimonies of initiates such as Cicero (De Legibus 2.36). The Eleusinian Mysteries are well documented in their outward features (the procession from Athens to Eleusis, the rituals at the Telesterion, the calendar of the festival) but their inner rites remain protected by the ancient oath of silence; modern reconstructions are speculative. The great archaeological excavation of Eleusis began in the nineteenth century and continues; the Telesterion (Hall of the Mysteries) has been excavated and its successive enlargements traced. The closing of the mysteries by Theodosius in 392 CE was followed by the destruction of the sanctuary by Alaric the Visigoth in 396 CE.

Kin in the sources

Each tie is quoted from the entry that states it.

When the sources speak

Dated witnesses for Hades and the Lesser Olympians. A date marks when the evidence was written down, not when the belief began. The whole timeline

c. 1600–1100 BCE
Mycenaean palace tablets in Linear B record offerings and divine names, but little continuous myth.
c. 1100–800 BCE
Post-palatial oral traditions and changing cult landscapes precede the surviving alphabetic epics.
late 8th–7th centuries BCE
The Iliad, Odyssey, Hesiodic Theogony and Works and Days give influential but non-exclusive divine orders.
7th–6th centuries BCE
Homeric Hymns, lyric poetry, colonization, and local sanctuary traditions multiply regional narratives.
6th–5th centuries BCE
Orphic, Pythagorean, and mystery materials develop alternative cosmogonies and afterlife doctrines.
5th century BCE
Athenian tragedy and comedy recast heroic houses and divine justice for civic audiences.
4th century BCE
Philosophers, antiquarians, and local historians interpret or criticize inherited myth.
323–31 BCE
Hellenistic poets and scholars systematize variants across an enlarged Greek world.

Floor plan

The rooms follow one another in the order their peoples first appear in the written record.

  1. The Cradle of Citiesc. 3400 BCE to 395 CE. 115 works
  2. The Gift of the Nilec. 4000 BCE to 395 CE. 73 works
  3. The Olympian Orderc. 1600 BCE to 750 CE. 152 works
  4. The Persian Worldc. 2000 BCE to 1010 CE. 30 works
  5. The Levantine Borderlandsc. 1200 BCE to 500 CE. 20 works
  6. The Edges of Empirec. 2000 BCE to 1500 CE. 33 works
  7. The Etruscan Worldc. 900 BCE to 750 CE. 22 works
  8. The Roman Inheritancec. 1200 BCE to 500 CE. 58 works
  9. The Northern Inheritancec. 2000 BCE to 1600 CE. 131 works