A Compendium of the Ancient Gods
Cronus, plate

Cronus was the youngest of the twelve Titans, the son who agreed when his mother Gaia could find no other to take vengeance upon his oppressing father; with the sickle she gave him he castrated Uranus and assumed the kingship of heaven. He took to wife his sister Rhea, and by her begot the next generation: Hestia, Demeter, Hera, Hades, Poseidon, and Zeus. But Cronus had been warned, by his vanquished father and by Gaia, that he too would be overthrown by his own son; and he resolved to prevent it by swallowing each of his children at birth. Rhea bore them; Cronus swallowed them; and so the future Olympians passed each in turn down their father's throat — Hestia first, then Demeter, then Hera, then Hades, then Poseidon. When Rhea was great with the sixth, Zeus, she went down in secret to Crete, gave birth in a cave on Mount Ida, hid the infant with the nymphs of the mountain to be raised, and presented to Cronus a stone wrapped in swaddling-cloth, which he duly swallowed without examination.

Zeus grew to manhood in the Cretan cave, fed on the milk of the goat Amaltheia and on honey, defended from his father's notice by the Curetes whose clashing weapons drowned out his cries. When he was grown, he returned to confront his father; he tricked Cronus (or, in some versions, was assisted by Metis the daughter of Oceanus, who gave Cronus an emetic) into vomiting up the stone and the five swallowed children. The siblings, freed, joined Zeus against their father. Their war — the Titanomachy — lasted ten years, fought between Olympus (where Zeus and his siblings made their stand) and Othrys (the seat of the Titans). At length Zeus released the Hundred-Handed Ones from their imprisonment in Tartarus; with their hundred arms each, they hurled rocks against the Titans and the Titans broke; Zeus cast Cronus and his loyal brothers down into Tartarus, where they were imprisoned forever — except that, by some traditions, Cronus was eventually reconciled and went to rule in the Isles of the Blessed, where the souls of the heroes had their afterlife.

The deposed Cronus presented an ambiguous figure in later Greek thought. He was, on the one hand, the cruel father who swallowed his children; on the other, he was the king of a Golden Age that Greek poetry remembered as a time of plenty and ease, when men lived without toil under his benign rule. Hesiod's Works and Days gives the contradictory accounts: in his theogonic role Cronus is the swallowing tyrant, but in his Golden-Age role he is the king of a vanished happiness. The Romans identified him with their agricultural god Saturn, and made his Saturnalia, in December, a festival of social inversion in remembrance of the Golden Age.

Curator’s note

What the sources say, and what later tradition added. The sources for this bay

The principal sources for Cronus are Hesiod, Theogony 137–187, 453–506, 617–735; Apollodorus, Bibliotheca 1.1–2; Pausanias for cult notices. The Greek-Hurrian parallel (Kumarbi-and-Anu, Volume I) is here particularly close, with the swallowing-of-the-children motif paralleled in the Hurrian Song of Ullikummi. Cronus's identification with Roman Saturn is treated in Volume IV; for the Greek figure, Cronus is distinct, and the Saturnalia properly belongs to the Roman side. The proto-Indo-European etymology of Cronus's name is uncertain; the popular ancient connection with Chronos (Time), through which Cronus becomes Father Time with the scythe, is a late error and is treated in the entry on Chronos in Book I.

Kin in the sources

Each tie is quoted from the entry that states it.

The same god in other rooms

The ancient sources themselves name these as one god under different names. See Chronos, Cronus and Saturn hung together

When the sources speak

Dated witnesses for The Titans and Their Children. A date marks when the evidence was written down, not when the belief began. The whole timeline

c. 1600–1100 BCE
Mycenaean palace tablets in Linear B record offerings and divine names, but little continuous myth.
c. 1100–800 BCE
Post-palatial oral traditions and changing cult landscapes precede the surviving alphabetic epics.
late 8th–7th centuries BCE
The Iliad, Odyssey, Hesiodic Theogony and Works and Days give influential but non-exclusive divine orders.
7th–6th centuries BCE
Homeric Hymns, lyric poetry, colonization, and local sanctuary traditions multiply regional narratives.
6th–5th centuries BCE
Orphic, Pythagorean, and mystery materials develop alternative cosmogonies and afterlife doctrines.
5th century BCE
Athenian tragedy and comedy recast heroic houses and divine justice for civic audiences.
4th century BCE
Philosophers, antiquarians, and local historians interpret or criticize inherited myth.
323–31 BCE
Hellenistic poets and scholars systematize variants across an enlarged Greek world.

Floor plan

The rooms follow one another in the order their peoples first appear in the written record.

  1. The Cradle of Citiesc. 3400 BCE to 395 CE. 115 works
  2. The Gift of the Nilec. 4000 BCE to 395 CE. 73 works
  3. The Olympian Orderc. 1600 BCE to 750 CE. 152 works
  4. The Persian Worldc. 2000 BCE to 1010 CE. 30 works
  5. The Levantine Borderlandsc. 1200 BCE to 500 CE. 20 works
  6. The Edges of Empirec. 2000 BCE to 1500 CE. 33 works
  7. The Etruscan Worldc. 900 BCE to 750 CE. 22 works
  8. The Roman Inheritancec. 1200 BCE to 500 CE. 58 works
  9. The Northern Inheritancec. 2000 BCE to 1600 CE. 131 works