A Compendium of the Ancient Gods
Rhea, plate

Rhea was the wife and sister of Cronus, the daughter of Uranus and Gaia, and the mother of the six original Olympians (Hestia, Demeter, Hera, Hades, Poseidon, and Zeus). It was Rhea who, having seen each of her first five children swallowed by her husband, took counsel of her parents Uranus and Gaia, fled to Crete to bear her sixth child Zeus, hid him with the mountain-nymphs and the Curetes, and tricked Cronus with the stone. She thus stood at the hinge of the Titanic and Olympian generations, the mother of the gods who would overthrow her husband, and her cult — particularly in Crete and on the islands of the Aegean — preserved her as the great mother-goddess, often identified or fused with the older Cretan mountain-mother and with the Phrygian Cybele (Volume I), whom the Greeks recognized as their own Rhea under another name.

Curator’s note

What the sources say, and what later tradition added. The sources for this bay

Hesiod, Theogony 453–506; Apollodorus 1.1.5–7. Rhea's Cretan cult is attested by Diodorus Siculus (5.65–66) and by archaeological remains at Crete, where the cave of Zeus on Mount Ida was the supposed site of his concealment. The identification of Rhea with Cybele (Magna Mater) is attested from at least the fifth century BCE and was systematized in the Roman period; she is the Greek term, Cybele the Phrygian, but the cult-figure is largely the same.

Kin in the sources

Each tie is quoted from the entry that states it.

The same god in other rooms

The ancient sources themselves name these as one god under different names. See Cybele, Rhea and Ops hung together

When the sources speak

Dated witnesses for The Titans and Their Children. A date marks when the evidence was written down, not when the belief began. The whole timeline

c. 1600–1100 BCE
Mycenaean palace tablets in Linear B record offerings and divine names, but little continuous myth.
c. 1100–800 BCE
Post-palatial oral traditions and changing cult landscapes precede the surviving alphabetic epics.
late 8th–7th centuries BCE
The Iliad, Odyssey, Hesiodic Theogony and Works and Days give influential but non-exclusive divine orders.
7th–6th centuries BCE
Homeric Hymns, lyric poetry, colonization, and local sanctuary traditions multiply regional narratives.
6th–5th centuries BCE
Orphic, Pythagorean, and mystery materials develop alternative cosmogonies and afterlife doctrines.
5th century BCE
Athenian tragedy and comedy recast heroic houses and divine justice for civic audiences.
4th century BCE
Philosophers, antiquarians, and local historians interpret or criticize inherited myth.
323–31 BCE
Hellenistic poets and scholars systematize variants across an enlarged Greek world.

Floor plan

The rooms follow one another in the order their peoples first appear in the written record.

  1. The Cradle of Citiesc. 3400 BCE to 395 CE. 115 works
  2. The Gift of the Nilec. 4000 BCE to 395 CE. 73 works
  3. The Olympian Orderc. 1600 BCE to 750 CE. 152 works
  4. The Persian Worldc. 2000 BCE to 1010 CE. 30 works
  5. The Levantine Borderlandsc. 1200 BCE to 500 CE. 20 works
  6. The Edges of Empirec. 2000 BCE to 1500 CE. 33 works
  7. The Etruscan Worldc. 900 BCE to 750 CE. 22 works
  8. The Roman Inheritancec. 1200 BCE to 500 CE. 58 works
  9. The Northern Inheritancec. 2000 BCE to 1600 CE. 131 works