A Compendium of the Ancient Gods
Aphrodite, plate

Aphrodite was the goddess of love, of beauty, of sexual desire, of fertility — the great Greek goddess of all that draws living creatures toward each other. Her parentage was given two ways. In the older Hesiodic account, she was born of the foam (Greek aphros, whence her name) that gathered round the severed members of Uranus when Cronus cast them into the sea after the castration; she rose from the foam fully grown, was wafted to the island of Cyprus, and stepped ashore at Paphos, where her great sanctuary stood in classical times. In the alternative Homeric account, she was a daughter of Zeus and the obscure Titaness Dione. The two versions are not easily reconciled, and Greek mythography accepted both with the latitude characteristic of the tradition.

She was married, against her will, to the lame Hephaestus — Zeus having given her to him to settle a difficulty in the Olympian assembly — and she was unfaithful with great regularity. Her best-known affair was with Ares, told in the entry above; she also bore Hermes a son (the Hermaphroditus who united both their natures in his single bisexual form), Dionysus the great Priapus, and the mortal Anchises the hero Aeneas — who, in the Roman tradition, would lead the survivors of Troy to Italy and beget the line that founded Rome. Her interest in mortal lovers was particularly strong: besides Anchises, she was attached to the youth Adonis, whom she found newly born and entrusted to Persephone for safekeeping; the two goddesses then quarreled over which should keep him, and Zeus decreed that he should spend a third of the year with each and a third of his own choosing (which he generally spent with Aphrodite). When Adonis was killed by a wild boar in the prime of his manhood, Aphrodite mourned with such grief that the gods relented and allowed him to come up annually for a portion of the year; the seasonal mourning-and-return of Adonis became the matter of an important women's cult, the Adonia, celebrated each summer with rooftop gardens of quick-blooming and quick-dying plants.

Her cult was widespread. Her great sanctuaries were at Paphos and Amathus on Cyprus, at Cnidus (whose famous nude Aphrodite by Praxiteles, c. 360 BCE, was the first major female nude in Greek monumental art), at Corinth (where her temple atop Acrocorinth maintained a thousand sacred hetairai, attested by Strabo). She was attended by the Charites (the Graces), by Eros and Himeros (love and desire), and by her doves and swans. Her Roman counterpart was Venus.

Curator’s note

What the sources say, and what later tradition added. The sources for this bay

The two birth-stories: Hesiod, Theogony 188–206 (foam-born) and Homer, Iliad 5.370–417 (daughter of Zeus and Dione). The Adonis cycle is most fully in Apollodorus 3.14.4 and Ovid, Metamorphoses 10.500–739; the Adonia festival is described by Plutarch and others. The Cnidian Aphrodite of Praxiteles is one of the most important works of classical Greek sculpture; the original is lost but Roman copies survive. Strabo's account of the temple-prostitution at Corinthian Aphrodite (Strabo 8.6.20) has been disputed by some recent scholarship, which has argued the institution may be misrepresented; the historical reality of organized hieroduly at Corinth is debated. Aphrodite's connection to the Phoenician/Canaanite Astarte, treated in Volume I, is well established and reflects long contact between Greek and Near Eastern religious traditions.

Kin in the sources

Each tie is quoted from the entry that states it.

The same god in other rooms

The ancient sources themselves name these as one god under different names. See Baalat Gebal, Hathor, Aphrodite and Turan hung together

When the sources speak

Dated witnesses for Hades and the Lesser Olympians. A date marks when the evidence was written down, not when the belief began. The whole timeline

c. 1600–1100 BCE
Mycenaean palace tablets in Linear B record offerings and divine names, but little continuous myth.
c. 1100–800 BCE
Post-palatial oral traditions and changing cult landscapes precede the surviving alphabetic epics.
late 8th–7th centuries BCE
The Iliad, Odyssey, Hesiodic Theogony and Works and Days give influential but non-exclusive divine orders.
7th–6th centuries BCE
Homeric Hymns, lyric poetry, colonization, and local sanctuary traditions multiply regional narratives.
6th–5th centuries BCE
Orphic, Pythagorean, and mystery materials develop alternative cosmogonies and afterlife doctrines.
5th century BCE
Athenian tragedy and comedy recast heroic houses and divine justice for civic audiences.
4th century BCE
Philosophers, antiquarians, and local historians interpret or criticize inherited myth.
323–31 BCE
Hellenistic poets and scholars systematize variants across an enlarged Greek world.

Floor plan

The rooms follow one another in the order their peoples first appear in the written record.

  1. The Cradle of Citiesc. 3400 BCE to 395 CE. 115 works
  2. The Gift of the Nilec. 4000 BCE to 395 CE. 73 works
  3. The Olympian Orderc. 1600 BCE to 750 CE. 152 works
  4. The Persian Worldc. 2000 BCE to 1010 CE. 30 works
  5. The Levantine Borderlandsc. 1200 BCE to 500 CE. 20 works
  6. The Edges of Empirec. 2000 BCE to 1500 CE. 33 works
  7. The Etruscan Worldc. 900 BCE to 750 CE. 22 works
  8. The Roman Inheritancec. 1200 BCE to 500 CE. 58 works
  9. The Northern Inheritancec. 2000 BCE to 1600 CE. 131 works